The Chocolate Hobnob

If I had a favourite commercially mass-produced biscuit it might just be the chocolate hobnob. Not that there’s anything wrong with an unvarnished hobnob per se, but the only way to improve on a biscuit this satisfying is to enrobe it in a reservoir of chocolate. Despite McVitie’s controversial assertion that true cognoscenti will serve a chocolate hobnob oat-side up, most people I’ve spoken to prefer to keep the chocolate uppermost. Here’s a rare glimpse of an uneaten specimen warming itself in the late autumn sun:

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Unsurprisingly, the upgraded hobnob performs well in the biscuit leagues, regularly beating the bourbon and vying with the chocolate digestive for the top spot in the UK charts. Taste is key when it’s down to the wire and this biscuit is so moreish it’s quite possible to eat three in one sitting without discomfort.

The plain hobnob we looked at in the previous entry; in pondering the deeper meaning of the chocolate hobnob the first question is what, if anything, is the spiritual significance of the chocolate part? Chocolate isn’t mentioned in any of the bestiaries I’ve come across, but from a consumer’s perspective I feel confident in suggesting it can only signify love as the richest, most magically transformative and generally satisfying ingredient in the cupboard. Chocolate makes everything taste better and covers over a multitude of errors in the oven. And while it would be a sin to call a plain hobnob an error there’s no doubt that without the chocolate it would be a lot rougher and scratchier round the edges. It’s the chocolate that smooths all that over – like love. 

To extend the parallel further, it’s usually when we come into contact with others for any significant amount of time that we also come into contact with our own ‘scratchy’ places: hidden resentments, irritations and lack of love. It’s where the difference between real and imaginary love becomes painfully apparent: how we treat the actual, flawed specimens of humanity we’re forced to hobnob with in everyday life is so often the real measure of the heart. There’s a reason it’s easier to be kind to people at a distance, where kindness doesn’t have to be sustained for as long and doesn’t cost as much. Want to check your love? Have a hobnob. 

Further Delectation

Hold your breath, make a wish… If you don’t have a ticket to see McVities’ reservoir of chocolate, you can at least get a glimpse of Willy Wonka’s:

And for medievalists especially, a splendidly colourful patchwork of bestiary-like images from Amiens MS 399, courtesy of Damien Kempf

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The Hobnob

A plain hobnob at half moon

“Enjoy the oaty rough and tumble of the nation’s crunchiest companion.” To me, McVitie’s promotional tagline for the plain or ‘original’ hobnob describes the experience of this biscuit rather well. Opinions differ as to whether it really is the crunchiest on the market, but there can be few more satisfyingly homely, unpretentious accompaniments to a strong cup of cha. Granted it may be a little rough around the edges with a tendency to crumble at the slightest touch, but there’s just something very satisfying about the way it nonetheless conveys a sense of substance. An aura of wholesomeness, too, is a large part of the hobnob’s appeal. It must be something about the oats and the way they pack them…

Alfred, the Legend

While it may not score that highly on visual aesthetics, most consumers agree that this is a nice-tasting biscuit, despite looking like something King Alfred might have burned. Although its use isn’t recorded until the early seventeenth century, the word has at least one medieval association: in old Sarum (Salisbury for twenty-first-century readers) the hobnob was the name of the mischievous hobby-horse used to scatter the crowd before the giant in the Midsummer’s Day Procession. Contextually, to hobnob meant to give and take a blow in Shakespeare’s Twelfth Night, where the riotous Sir Toby uses it to describe the (imaginary) fights of the drunk and disorderly Sir Andrew. It isn’t until the next century it comes to mean socialising or chinking glasses with pals, perhaps because of its association with Shakespeare’s bon viveurs. 

Today, the idea of hobnobbing carries faintly disparaging allusions of social-climbing (‘hobnobbing with the top brass’), a shift of meaning that seems peculiar given the hobnob’s obvious lack of pretension. You might expect this sort of behaviour from a Ferrero Rocher, but a hobnob? It’s hard to imagine a biscuit less snobbish. Which brings me to the moral… St Paul in his letter to the Romans warns his church against this kind of elitism. This isn’t about bad versus good company per se, but all the other (spurious) ways in which we mentally divide people by class or culture or profession or social standing. The conclusion? ‘Do not be proud but be willing to associate with people of low position.’ If you don’t have any friends in ‘low’ places, you might just be hobnobbing with the wrong people.

Further Delectation

Try smuggling a hobnob into the Ambassador’s Reception, or maybe just enjoy one at home with Builders’ tea and Francis Bryan’s Dispraise of the Life of a Courtier if you’re sick of all this hobnobbing.

Impressed by Alfred’s cooking skills? Learn more about his legacy at the British Library’s Anglo Saxon Kingdoms exhibition (on till February 2019). Later medieval readers may wish to read more about hobnob and the Salisbury Giant.

Take in a view of hundreds of paper doves at Salisbury Cathedral, an installation by Michael Pendry to commemorate the 100 year anniversary of the end of the First World War (photo credit: Howard Darvil). When the news of the Armistice reached the trenches many British soldiers reported they were ‘too far gone, too exhausted’ to enjoy it. One summed up the mood rather tellingly in remarking ‘There was nothing with which we could celebrate, except cookies.’


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